When Jim makes his second solo trip, he has a definite course of action in mind; he plans to board the Hispaniola and cut it loose to drift with the tide, thus depriving the pirates of a refuge and an escape route. His final test in action comes when he encounters the evil first mate, Israel Hands. When Hands tries to manipulate him, Jim sees through the deception and, acting with considerable courage and dexterity, manages to outmaneuver the experienced pirate.
Finally, faced with an enraged adversary, Jim remains calm and, with a knife sticking in his shoulder, still manages to shoot the villain. His final test of adulthood is not physical, however, but moral. Returning to the stockade, which he still believes to be occupied by his friends, Jim is captured by the pirates.
Given the opportunity a short time later to talk privately with Dr. Livesey, Jim refuses to escape: Silver trusted me, I passed my word, and back I go. All critics have noted that he is both bad and good, cruel and generous, despicable and admirable. Such an effort is probably wrong. Silver is both good and bad, and his role in the novel demands both kinds of actions. In any pirate story, the author faces a moral and artistic dilemma. On one hand, pirates can hardly be presented as moral exemplars or heroes; they must be criminals and cutthroats.
On the other hand, pirates are romantically attractive and interesting characters. Jim's father is the landlord of the Admiral Benbow, an inn where Billy Bones, an old seaman who once served under the pirate Captain Flint, takes up lodgings. A treasure map is found in Bones's sea chest following the former pirate's death; and with this in hand, Jim, Dr.
During the voyage, Jim's discovery of plans for a mutiny led by Long John Silver, the ship's cook, helps to save the expedition. After a prolonged struggle, Long John Silver's mutineers take the boy hostage and then begin to search for the treasure on the island, but they unearth only an empty chest. Both Jim and Long John Silver are rescued from the enraged pirates and led to the treasure by Ben Gunn, a half-wild sailor who had been marooned on the island for many years.
They abandon the mutineers, rejoin the captain and his small band of loyal followers, and set sail for the West Indies, where Long John leaves the ship. Eventually the Hispaniola returns to Bristol where Jim, his friends, and the loyal crew all enjoy an ample share of the treasure.
Drawing upon the medieval narrative tradition of the romantic quest, Treasure Island recounts a boy's journey from innocence to experience, giving the physical adventure of a pirate story a heightened significance.
The quest theme suggests several levels of meaning: Jim gains knowledge of himself, an understanding of the nature of the adult world, and insight into the duplicity of human character, symbolized, for example, by the moral ambiguity of Long John Silver. Jim is both fascinated and repelled by the pirates, who have been interpreted by critics as representations of the underside of civilization.
Similarly, Jim is at once enticed and repulsed by the blood-tainted buried treasure, which some critics have viewed as a symbol of the economics of the "real world" that he will face as an adult. The treasure money itself is amoral—the potential inspiration for enslavement or freedom, crime or heroism.
Treasure Island has received praise for its skillful plotting and pacing of action, its articulation of colorful characters, and its evocative setting. Much criticism of the novel has been concerned with the work's affinities with and departures from the familiar conventions of the prose romance, and specifically, adventure fiction.
While David Daiches emphasized Stevenson's decision to frame his novel "in one of the oldest of all narrative moulds—the quest," William H. Hardesty and David Mann note how the author "changed [those conventions] or, occasionally, turned them upside down. Treasure Island, most argue, demonstrates a relatively ambiguous morality and complexity of character development through such characters as Long John Silver, who serves both as villain and inverted father figure to Jim Hawkins.
Treasure Island animated adaptation, Scalawag based on Treasure Island, It is a pity that schoolmasters do not make a point of discovering the private literary tastes of their pupils, in order that we could form some general idea of what boys really like to read. Such an inquiry must be conducted tactfully; the only lists of the kind that we have seen were suspiciously priggish.
It is true that there are boys who like Scott and Dickens, but it is safe to say that the average boy of twelve or thirteen cares neither for one nor the other, or at all events, given the opportunity, prefers Henty or Talbot Baines Reed. The Squire goes to find a ship and crew and the doctor goes else where on business.
The Squire gets a large nice ship for the voyage and captain. Then he finds a one legged ex-sea faring man who wants to be ships cook. Long John Sliver helps the Squire find the rest of their crew.
The voyage sets out for the island very smoothly and successfully. Nothing goes wrong and the crew complies with every order. Then one night as they were approaching the island Jim overheard Long John Silver talking to another member of the crew. He told the other member about his adventures with the Captain Flint, the dreaded pirate.
Treasure Island Homework Help Questions. What is the minor conflict in Treasure Island? All good books have various conflicts - both major and minor.
- Treasure Island Treasure Island is an epic adventure: a tale of pirates, treasure, and exploration of an unknown and mysterious island. Throughout the course of the book, many lessons are learned that give the reader advice so he/she can better survive in the real world.
Treasure Island Robert Louis Stevenson Treasure Island literature essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Treasure Island. Treasure Island essays In our lives greed is something that will make a person go above and beyond normal just to achieve more than what they already have, Throughout Robert Louis Stevenson's novel, Treasure Island, greed possessed the pirates to uncover the buried treasure. The book shows th.
Coming to Terms With Evil in Treasure Island Essay Words | 9 Pages. Coming to Terms With Evil in Treasure Island Robert Louis Stevenson's novel, Treasure Island, is a fast-paced adventure tale about a boy developing into an adult and coming to terms with the presence of evil in the world. [In the following essay, Gannon examines the way Treasure Island effectively addresses young readers, emphasizing the theme of the romantic quest, the use of retrospective narration, and the.