This unobtrusive gooseneck microphone, with a. The is supplied with a miniature windscreen to. The H Trans-Oceanic is a 7 band design: The differs from the in that an external power supply jack has been added. Neck -1 17 degree peghead pitch; three-piece curly maple neck; single white bound mother of pearl inlaid head veneer. Body - Single cutaway hollow body with laminated arch curly maple top and back; multiple white bound top white bound back; solid curly maple rim; single white bound pickguard; with f-holes.
Electronics - Two gold humbucking pickups; two volume controls; two tone controls selector switch. Hardware - Individual gold machine heads; gold tailpiece and adjustable bridge. Blue with slight amount of micro-flake and white colors.
Matching interior which has been re-done. Dashboard re-done with new speedometer, tach, temp, water pressure and volts. Navigation lights fore and aft. Custom gallon bow mounted gas tank. Kalamazoo KG Model Flat Top Acoustic Guitar, made in Kalamazoo, Michigan, sunburst top, dark back and sides finish, mahogany back and sides, spruce top; mahogany neck with rosewood fingerboard.
The KG is built of the same materials as similar Gibsons but is ladder braced and has no truss rod. The top is single-bound with a sunburst finish with triple-bound soundhole. The headstock is squared on the top with a white screened Kalamazoo logo and black plastic button strip tuners. Nice chunky neck with soft "V" profile, 14 frets to the body. Using the guitar signal as the source material for the octave, it makes the octave sound like a guitar.
In addition, the Green Ringer circuit is used so it will produce a reliable octave above as well as an octave below. Made available October Only were produced. Each guitar is numbered and came with a beautiful plush lined arched top hard shell case. The spirit of Zen invites you to turn the search for meaning outside yourself to inside The simplicity and clarity of Zen philosophy frees us to find the song that is uniquely ours May these symbols enhance your life and music.
Here is a YouTube you might enjoy, a different model but similar: Alder body, rosewood fretboard with dot inlays, dual lace sensor pickups, active electronics, concentric knobs and four way rotary switch, these guitars are getting hard to find and becoming very collectible!
Pantent Pending Made in U. ERA to ERA to ! The Parlor Guitars represent a bold new step in RainSong's pioneering effort to combine graphite-composite technology with traditional wood construction. This combination of graphite and wood is designed to deliver RainSong's signature loud, balanced and crystalline Carbon tone with Graphite's strength and stability in an attractively economical package.
Constructed entirely without restrictive braces, the all-graphite soundboards vibrate freely to provide greater acoustic volume and clean, detailed tone. The Parlors are the ultimate axe for the working, traveling musician. The all-graphite soundboard will not belly, sink or crack with changes in the environment. The wood veneer body construction and the urethane finish resist changes in humidity and reinforce the inherent stability and strength of graphite. The compact Parlor body shape, the fret neck and the customized gig-bag make for a small and light package capable of delivering the full RainSong sound.
Click on guitar to view detail. Accessories Bone nut and saddle. Case Customized gig bag. Finish UV protective, clear urethane with satin finish. Neck width at nut: Number of frets clear of the body: Fishman Classic IV system.
DC Ebony Body Binding: System T Mk II. Dwight Hamilton Baldwin, a teacher of organ, piano and violin, opened a music store in Cincinnati, Ohio in In , he founded Decker Brothers Piano dealership and hired Lucien Wulsin, who became a partner in and the company name was changed to D.
Dwight Baldwin then merged the Hamilton Organ Company, a manufacturer of reed organs, and the conglomerate became the Baldwin Piano Company. Their first piano, an upright, was produced in , and their first grand piano in Dwight Baldwin died in and Wulsin continued the shift of the company from retail to manufacture. Baldwin went on to become one of the most famous names in pianos.
In , Baldwin began experimentation in the electronic generation of musical tone. In , Baldwin released to market its first electronic organ, the Model 5. This was a comprehensive 2-manual and note pedalboard instrument and was mechanically similar to a medium-sized pipe organ. This model was found in many churches and is still a fairly common model to be found, along with its later version, the 5-A.
The Model 10 in , a larger console with the same twonote manuals and 32 pedals, followed this. The Model 11 followed and included such features as chiff, celeste stops and percussions.
In , the Model 45 was introduced for the home market. This organ had two note manuals and 25 pedals and had 23 stops with three control levers. This led, in , to the Model HP, which included sustain percussion.
In the meantime, spinet organs were developed and were commercialized as Baldwin Orga-Sonic. Some spinet and console organs with some changes in furniture design and features appeared under the name Howard. There were also sporadic attempts with optical-disc technology for tone generation. Baldwin theatre organs were found as both spinets and consoles. The HT-2 was a full-size beast including the note pedalboard, followed later by the HT-2R, which included a Rhythm Drawer featuring percussive drum sounds played on the pedals or Accompaniment manual.
A unique feature of these organs was a set of pistons to produce the sounds of a siren or auto horn, just like the old theatre organs. Baldwin organs were designed using the master oscillator system. In answer to this, Baldwin developed Panoramic Tone consisting of a slow-speed rotor in front of a speaker with built-in spring-type reverberation. Organists had mixed feelings about this slower attack and decay property.
In , Baldwin purchased the keyboard division of the Wurlitzer Company and the combined operation became known as Church Organ System, Inc. In , this operation went belly-up. Baldwin pianos are still being manufactured. Plug-and-play high-quality synth and instrument sounds for your guitar. Ever wanted to thicken up your guitar sound with a warm synth pad?
Or how about a screaming lead sound that puts you in front? The GR Guitar Synthesizer makes playing high-quality synthesizer and instrument sounds from your guitar as simple as First, attach the included GK-3 Divided Pickup to your steel-stringed electric no drilling necessary. Second, select the type of sound you want using the Bank knob.
With the GR, it's easy to tap into the power of guitar synthesis. With the GR, it feels like both. Selecting a sound is like choosing an effect. First, select a sound category using the Bank knob. Roland's Finest Sounds with Exceptional Tracking. At the heart of the GR is an advanced sound engine based on Roland's professional synthesizers. Sounds can be played with up to voice polyphony for full, rich-sounding patches. And the sounds are equally impressive.
From expressive string ensembles to spiritual tabla loops coupled with sitar-all with adjustable attack and release. Want to create a sound that's all your own? Try blending the natural sound of your guitar pickups with the GR Thankfully, the GK-3 Divided Pickup makes this easy via a larger and smoother knob.
Imagine playing chords and then slowly fading in a swirling, breathy pad to create intensity. Or how about playing a distorted lead on your guitar with a thick synth lead sound? Now take this a step further with the GR's Patch Link function.
In other words, everything you need to start playing synth sounds is included! The pickup includes an adjustable curve design to keep an even distance between the strings for better response the pickup cable length is also adjustable. Owners of LP-type guitars can install the GK-3 pickup safely using a special attachment plate included in the box. Affordable guitar synthesizer with new sounds, easy interface, and GK-3 pickup Easy to use: The Yamaha NSM studio reference monitor speaker aka NS10M is widely popular amongst audio professionals, and is notorious for its very flat frequency response.
The wants and needs of the audio engineer are different than the typical consumer, so this is a welcome thing as the NSM monitors will reveal the truth of mix.
The NSM studio monitors have been an industry standard for mixing and are easily recognized by their standout white mid-range driver. In spite of being discontinued, the NSM are still widely used in studios and even won Yamaha Corporation a Grammy in for their technical excellence and impact on the recording industry.
Blue with slight amount of micro-flake and white gelcoat colors. Dashboard re-done with new speedometer, tach, temp, fuel, water, pressure and volts. Transom saver for towing with no engine bounce.
Very solid and rides like 19 foot boat. Can tow with most front wheel drive vehicles! Noise and hum dB aux, dB phono. Output impedance ohms.
Center channel output 1. Bass trim controls boost up to 6dB below Hz. Voltage gain 20dB aux, 62dB phono. Input selector with indicator lights: Mode selector with indicator lights: Volume with power switch.
Separate treble and bass controls each channel. Pushbutton switches with indicator lights: Headphone jack, Tape input jack, Tape output jack. Bass trim, Headphone level, output level, phono 1 and phono 2 level controls, center channel level, power amp switch: Speaker remote control socket.
New retail price then. Bridge Pickup Position 2. Bridge and Neck Pickups Position 3. Neck Pickup , Volume 2. Not only does this driver deliver crystal clear highs, it beautifully reinforces the mid range frequencies as well.
With the rear mounted L Pad turned to zero, the Nighthawk delivers a rich, smoky jazz tone, much like that of our Twin 8 cabinet.
The tonal personality of the Nighthawk changes dramatically as the L Pad is dialed in. In addition, you will smile every time you transport the Nighthawk. Here is your chance to buy one of the earlier models. It's been around the block with alot of paint chips on the edges of the pedal, but it works perfectly. Early serial number, This is truely one pedal, that if you don't have with all your other favorites, your missing out.
Owners manual can be viewed here: For Harmony Central Reviews: Pictures of each game box can be viewed at: A jumbo string that is balanced and resonant. Upping the ante with a sleek Venetian cutaway and the Expression System pickup, the CE performs well onstage, in studio, or at home. The quick, articulate response of Sitka spruce is combined with the warmth and sparkle of ovangkol, giving this 12 string an expressive and pleasing tone. The Jumbo delivers the extra-deep resonance and volume that come with a larger sound chamber together with its own signature subtleties.
With a huge presence, the Jumbo is perfectly suited for aggressive strumming. The finish used to create this guitar's textured satin back and sides and lustrous gloss top was developed at Taylor for maximum durability and resistance to cold-checking. This ultraviolet-cured finish is also more environmentally friendly than traditional lacquer finishes.
Designed to faithfully reproduce your guitar's native tone, the Expression System utilizes patented Dynamic Sensors to capture top and string vibration like never before. Created in partnership with renowned audio pioneer Mr. Rupert Neve, the Taylor ES is seamlessly integrated into the design of the guitar from the ground up.
Onboard tone controls provide added flavor, or can be set flat for an uncolored, exceptionally clean amplified sound. The hood now sported a scoop, unique to There was also another feature added to the rear of the pickup.
A pocket was added to the underside rear of the bed that, when used with a pin, would hitch a trailer. The example on the left features the front end of the Hi-Way pickup. Note the black bumper. Except for the Hi-Way series and the Allied Van Lines semi, all other trucks sported the familiar bright finish bumper. With its stunning good looks and poise, the GAM will simply take your breath away. Finished in luscious Amber Flame Maple Stain.
Tiger Maple Amber Stain Category: Hollow Body Guitars Body Style: Single Cutaway Scale Length: Laminated Maple Body, 16" Wide, 2. Ebony, 12" Radius mm Bridge: Spruce top Gloss finish Black pick-guard Lacewood back and sides Rosewood fretboard with dot inlays Dreadnought body shape Hardshell case included http: The decades-long standard for bass tone and playability.
The Fender American Jazz Bass approaches Custom Shop quality with its premium ash or alder body, slim graphite-reinforced neck with rolled edges, highly detailed fret and nut work, and U. It also features an S-1 switch that changes the pickups from parallel to series when engaged, creating a fatter, wider, almost humbucking tone similar to that of a Precision bass. The bass has an alder body; the one-piece C-shaped maple neck thin has a maple fingerboard with black binding and black rectangular position markers.
Power at clipping, single channel, Hz: This special-edition Jazz Bass features a bound basswood body with a cream-bound carved top and no pickguard.
The maple neck has a rosewood fingerboard, matching painted headstock and dot position inlays on the side only. Here are some great url's on this power amp: Here is a great url on this Marshall Pre Amp and Marshall in general!
Ibanez, new ideas for today musicians. Here a few of many great urls on this Ampeg V I will pack over the top for a safe and sound trip to you! More than ever before, musicians are mixing sounds and musical styles from all over the world.
This often involves the mixing of Eastern and Western music, such as using a Sitar in a western musical setting or using western instruments to imitate the sounds in eastern music. The Glissentar was inspired by a similar desire to mix elements of East and West, but in this case, in the instrument itself. The Western part of the equation is easy to recognize as a variation on the guitar. The Eastern influence in the Glissentar comes from the Oud, an ancestor of the Mandolin that dates back to the seventh century.
The Oud is also an eleven-string fretless instrument and is still in use today primarily in Armenia and Egypt. Adapting to this new instrument is actually a great deal easier than it appears. The shape and scale of the neck and the easily visible side position markers help to give the Glissentar a very familiar feel.
The Glissentar opens the door to microtonal playing as well as some incredible and unique new sounds for adventurous guitar players. Rated continuous power output: Colors available constantly changing Pictured in: Unique styling and unprecedented access. Sumptuous rosewood back and sides look fabulous and add sonic projection. Fishman Classic IV electronics provide amazingly accurate amplification with high feedback threshold.
A baritone electric guitar with retro looks and features. The Dead-On '67 Baritone Electric Guitar from Danelectro features a long scale length for lower tuning, a satin finish, nickel hardware, a truss rod that adjusts at the headstock, the original swivel rosewood bridge that intonates, and souped-up Lipstick pickups.
The "Dead-On 67" guitar also features the original Danelectro tremolo and split pickguard. Product Description The vintage sound of an analog OTA-based phaser melded with contemporary parameters out the wazoo. No doubt the Whetstone can do things that your current phaser can't.
That famous GK clean and GK chunk. Two channels, stereo output, watts per side, reverb, chorus and compression. Two space rackable, Includes 5 button footswitch. Room for that 5th peg, if you add one! A unique Tribute model with a lightweight body and a wide range of sounds. The voice chamber in the guitar's semi-hollow body adds roundness of the tone that is great for playing jazz. Both pickups are operated by a 3-way selector switch, plus Volume and Tone controls.
Other enhancements include Semi-hollow, single-cutaway Body wood: Swamp ash Neck wood: Hard rock maple with maple fingerboard Neck shape: Traditional boxed steel bridge with individual machined brass saddles Finish: Clear Orange with maple fingerboard Pickguard: Pearl Tortoise shell Other: Specifications for RT Name: AM Amber Body Body material: Gotoh 12 String Hardware color: Tortoise Neck Neck type: I appreciate all that are interested in this cool synth!
Sorry, the Ibanez RT string electric from is not included But it is for sale! I was not thinking this day when I launched this auction. But was notified by a kind e-mail that Gibson did not own Epiphone till the buy out in But they definitly were not "Gibson Owned" when this lap steel was made.
And thanks for all the interest Before the bombing of Pearl Harbor in , Epiphone was a consumer favorite and industry leader. By the end of the war in , the company had lost its greatest asset when Epi died of leukemia.
Epiphone shares and control went to younger brothers Orphie and Frixo. Problems emerged slowly at first. Epiphone continued to clash with Gibson, each introducing electric cutaway versions of their top archtops. Pickups continued to be refined and players continued to appear onstage with Epiphone guitars. From the outside, it seemed to be business as usual. But cracks soon appeared both on the production line and in the boardroom.
The Stathopoulo brothers argued over the future of the company and in , Frixo sold his shares to Orphie. The company's reputation for craftsmanship and innovation that Epi had built in the '20s and '30s did not survive the war years. Tastes were changing and Epiphone's products seemed traditional and out of step. The Epiphone factory moved from Manhattan to Philadelphia in to avoid a union clash but many of the company's craftsmen refused to leave New York. Les had been perfecting his solid body guitar design in the Epiphone factory and when Fender emerged with their Telecaster, Gibson President Ted McCarty made Les Gibson's first solid body electric guitar endorser.
McCarty took the advice and reached out to Orphie, expressing Gibson's interest in Epiphone's critically acclaimed upright bass division which Gibson had not picked up again after World War II. McCarty accepted on behalf of Gibson. The Stathopoulo family was out of the instrument business. Though McCarty's original intention was to bring the Epiphone bass models into the Gibson catalogue, by , he changed his mind.
Instead, as McCarty wrote in a memo that year, the Epiphone brand would be revived with a new line of instruments.
McCarty's marketing plan was to offer Gibson-made Epiphones to dealers who were keen to win a Gibson contract, but had not yet proven themselves as profitable dealers. The right to sell Gibson models was hotly contested between dealerships at this time.
It was the perfect solution. Dealers would get a Gibson-quality product without treading on the toes of dealers who already sold the Gibson line. The entire Epiphone operation was relocated to Kalamazoo, Michigan. Epiphone was back in business. I got this strat in the early 90's. Yes, you read that right — we have a money-back guarantee on all orders that come through our website. There are few online writing services you can find on the Internet that offers this service, and this is how we are confident in the quality of our writers and their work that we are willing to offer a money-back guarantee on all orders.
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